Raman Raghav 2.0, a fictional story impressed by a serial killer named Raghav who killed over forty folks again in the 1960s. But as the opening credit score mentions, this film isn’t about him. It’s about a psychotic killer Ramanna (Nawazuddin Siddiqui) who strolls within the slums of Mumbai killing individuals for apparently no proper cause. As the storyline begins to develop he explains how he’s fascinated by the notorious 60s killer Raghav and calls himself as a trendy-day model of Raghav.
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But Chhorii, the brand new film on Amazon Prime Video, introduces yet another subgenre that we weren’t fairly prepared for-the ‘message horror movie’. These are films through which cinematic devices akin to symbolism and metaphor-which may each be used to convey critical themes-are replaced by someone literally spelling things out. In Chhorii, Nushrratt Bharuccha’s character Sakshi, pauses the movie at an especially essential juncture to lecture the antagonists about female foeticide. She then says one thing about motherhood and walks away, satisfied that she has won the argument.
